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Beggars Banquet
''Beggars Banquet'' is the seventh British and ninth American studio album by English rock band The Rolling Stones. It was released in December 1968 by Decca Records in the United Kingdom and London Records in the United States. The album was a return to roots rock for the band following the psychedelic pop of their 1967 album ''Their Satanic Majesties Request''.〔
==Background==
Glyn Johns, the album's recording engineer and longtime collaborator of the band, said that ''Beggars Banquet'' signalled "the Rolling Stones' coming of age ... I think that the material was far better than anything they'd ever done before. The whole mood of the record was far stronger to me musically."〔 Producer Jimmy Miller described guitarist Keith Richards as "a real workhorse" while recording the album, mostly due to the infrequent presence of Brian Jones. When he did show up at the sessions, Jones behaved erratically due to his drug use and emotional problems.〔 Miller said that Jones would "show up occasionally when he was in the mood to play, and he could never really be relied on:
Jones played sitar and tanpura on "Street Fighting Man", slide guitar on "No Expectations", harmonica on "Parachute Woman", "Dear Doctor" and "Prodigal Son", and Mellotron on "Jig-Saw Puzzle" and "Stray Cat Blues". Jones is sometimes mistakenly credited for playing the slide guitar on "Jig-Saw Puzzle"; both guitars are played by Keith Richards The basic track of "Street Fighting Man" was recorded on an early Philips cassette deck at London's Olympic Sound Studios, where he played a Gibson Hummingbird acoustic guitar, and Charlie Watts played on an antique, portable practice drum kit. Richards and Mick Jagger were mistakenly credited as writers on "Prodigal Son", a cover of Robert Wilkins's Biblical blues song of the same name.〔 According to Keith Richards the name Beggars Banquet "comes from a cat called Christopher Gibbs".
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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